The narrator of this poem, which is written in two quatrains, describes a break of the farmyard in which tall nettles squeeze old farm implements and suggests that he likes it because it is a reminder of mutableness (liability to switch everywhere) and the transience of aliveness. The premier(prenominal) stanza tells us that the nettles tower over the implements, except for the roller handle, as if they emergency to assert the advantage of life and hide the concomitant that dismantle things made from the roughly obdurate materials be field of bout to change and bequeath lastly disappear. Yet, it is implied, the nettles twist in bombardment and ordain die in due course and what is direct confidential will be revealed once again. The words cross up mean the nettles grow over but too take attempt to cloak. The stanza also poses the paradox that faithfulness evict be revealed through and through whoremaster. The illusion here is that life is triumphant, as we know that the implements are lying under the nettles and will be revealed once again when the nettles themselves die - and the illusion will be revealed for what it is also.

The painting vowel rhyme of the short -u- vowels in finish up, through, rusty and exhibit, to descendher with the frequent pauses between the items in the list, convey an impression of exhaustion and reinforces the notion of something that is moribund or very near death. In the sulfur stanza, the narrator explains why he likes this corner of the farmyard most. He tells us that he likes the dust on the nettles - a reminder of mortality rate - which is never finally remove although temporarily washed off-key by the showers that may unawares refresh but differently make no battle at all (it is an illusion that they do). He makes it clear that... If you want to gain a full essay, outrank it on our website:
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